著者 迈克尔·霍华德（Michael Howard，1923—2019），演员、戏剧导演、表演教师，70多年来一直是美国戏剧界的顶梁柱之一。20世纪40年代在纽约的邻里剧院跟随桑福德·迈斯纳学习，50年代在李·斯特拉斯伯格的私人课堂和演员工作室学习，表演生涯中曾与克利福德·奥德茨和乌塔·哈根等杰出剧作家、导演和演员合作，后转向导演和教学。他是亚特兰大联盟剧院的首任艺术总监，曾在茱莉亚学院和耶鲁大学戏剧学院任教。1953年在纽约创办了迈克尔·霍华德表演工作室，执教50余年，获得了广泛的国际认可。 译者 张越，男，80后，工学学士，戏剧与影视学硕士，喜欢电影和戏剧。现居北京。

著者 迈克尔·霍华德（Michael Howard，1923—2019），演员、戏剧导演、表演教师，70多年来一直是美国戏剧界的顶梁柱之一。20世纪40年代在纽约的邻里剧院跟随桑福德·迈斯纳学习，50年代在李·斯特拉斯伯格的私人课堂和演员工作室学习，表演生涯中曾与克利福德·奥德茨和乌塔·哈根等杰出剧作家、导演和演员合作，后转向导演和教学。他是亚特兰大联盟剧院的首任艺术总监，曾在茱莉亚学院和耶鲁大学戏剧学院任教。1953年在纽约创办了迈克尔·霍华德表演工作室，执教50余年，获得了广泛的国际认可。 译者 张越，男，80后，工学学士，戏剧与影视学硕士，喜欢电影和戏剧。现居北京。

Written in Lord Denning's familiar vivid, staccato style, Landmarks in the Law discusses cases and characters whose names will be known to all readers, grouped together under headings such as High Treason, Freedom of the Press, and Murder. Thus, for example, the chapter on High Treason tells the stories of Sir Walter Raleigh, Sir Roger Casement, and William Joyce - three very d...(展开全部)

The main aim of this book is to present a basic guide to the current doctrine of precedent in England, set in the wider context of the jurisprudential problems which any treatment of this topic involves. Such problems include the nature of the "ratio decidendi" of a precedent and of its binding force, the significance of precedents alongside other sources of law, their role in ...(展开全部)

This new edition of the seminal 1959 work retains the original analysis of commonsense causal concepts, and includes hundreds of new decisions and a substantial preface in which criticisms are met and a rationale propounded for common-sense causal notions as an element in legal responsibility.

Written in Lord Denning's familiar vivid, staccato style, Landmarks in the Law discusses cases and characters whose names will be known to all readers, grouped together under headings such as High Treason, Freedom of the Press, and Murder. Thus, for example, the chapter on High Treason tells the stories of Sir Walter Raleigh, Sir Roger Casement, and William Joyce - three very d...(展开全部)

Year by year, law seems to penetrate ever larger realms of social, political, and economic life, generating both praise and blame. Nonet and Selznick's Law and Society in Transition explains in accessible language the primary forms of law as a social, political, and normative phenomenon. They illustrate with great clarity the fundamental difference between repressive law, riddl...(展开全部)

Stanislavski's simple exercises fire the imagination, and help readers not only discover their own conception of reality but how to reproduce it as well.